Beverage & spirits
The glow through a glass. The weight of a pour. That first cold sip. I photograph drinks with an eye for the details that give each brand its character, from a bold cocktail campaign to a quietly beautiful bottle.
Good light. A little obsession.
Photography and motion for brands with something worth showing off. I bring a careful eye for light, texture, and movement to every shoot—from the first creative conversation to the finishing touches.
Capabilities
What I shoot
Food & tabletop
Crisp edges, melting butter, a little beautifully controlled mess. I use light, composition, and timing to make food feel inviting and full of life. From a single ingredient to a fully styled spread, the goal is simple: make you want a bite.
Product & beauty
Sculpted light, rich color, and texture you can almost feel. I bring out the personality of a product through thoughtful styling and close attention to its shape, finish, and smallest details. Even a simple object can command the frame.
Motion control & high speed
A camera move that wraps around a bottle. A splash stretched into slow motion. I combine precise camera movement with carefully crafted lighting to reveal moments and perspectives we don’t usually get to see.
Precision, with room to play.
I’m a certified SISU motion-control operator—and yes, moving a camera around on a robot arm is as fun as it sounds.
The creative possibilities are what make it useful. Repeatable camera moves let us refine the light, capture separate elements for a composite, and explore variations while keeping the movement consistent. High-speed capture gives us another way to play, revealing the shape of a splash or the way an ingredient falls.
At Publicis Production in Chicago, I work with the SISU robot and RED V-Raptor to bring those ideas to life. With stills and motion planned together, we can build a consistent visual language across the campaign.
It starts with the image we want to make. Then we figure out how to make it happen.
How a job runs
01
Storyboard
The shot is drawn before it is lit. Frames, moves and transitions agreed on paper, so nobody is designing on the day.
02
3D render
Set, product and camera path built in 3D. An art director sees the composition, the lens and the light before a crew is booked.
03
Shoot
Motion control executes the approved move exactly. Stills and motion captured on the same set, in the same light, in one day.
04
Deliver
Retouched stills and graded motion in the formats the campaign needs — advertising, social, OOH, packaging.
What have you got in mind?
A finished brief, an early idea, or a shot you’re still figuring out. Let’s talk about what it could become.